Above: More images from behind the scenes of the Light Up Your World Shoot.
The music is an important element in telling the story; how and why was the arrangement you chose the right one?
MT: We knew we wanted something that could drive the story forward and act almost as a voice piece for the personality of the light. Sometimes mischievous, sometimes playful, sometimes a ball of energy, sometimes wondrous or enticing. So, with that variation, it had to be scored. We also wanted a filmic sense of scale, so a modern orchestral track felt like the right direction for us.
SB: I really love the music. It’s got a fairy tale quality that I like.
You have to know when to walk away from a set-up and when to make it work hard. I learn a bit more about how to do this on every job.
Covid restrictions aside, what was the biggest challenge on this project?
MT: The biggest challenge was getting the luminosity right in each scene so that we showed off colour, light and brightness but also made each scene feel real with a genuine sense of place. It was a really delicate balance. The tree scene was also particularly challenging because the tree itself was taken directly from the LG packaging key visual, so it was, to a large extent, already designed. Sam and the team at ETC needed to work with it, and around it, to bring it to life.
SB: It’s always hard when an actor is in every scene and when the work is very physical. They can get tired very quickly and then, if you don’t plan things right, you suddenly have nothing to point a camera at. At the same time there’s always a shot list as long as your arm. So, balancing that stuff is tricky. You have to know when to walk away from a set-up and when to make it work hard. I learn a bit more about how to do this on every job.
The Link LonkApril 12, 2021 at 06:40PM
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Shedding light on LG's showstopper | shots - Shots
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